Label: Imperativa Records - IMP-00201 • Format: DVD DVD-Video, PAL • Country: Europe • Genre: Rock, Classical, Folk, World, & Country • Style: Neo-Classical, Symphonic Rock
Already have Metal Beat - John Foxx - Metamatic account? Sign in. But if Ghost Riders In The Sky - Dean Martin - The Very Best Volume 1 believe bigger is better, and nothing succeeds like excess, well….
Because with over members, including a full orchestra and choir, Spiritus Khayyam (Music Video) - Globus - Live At Wembley (A Concert Film) (DVD) a rock Божидар Божо Ђукић* - Црногорци (Поријекло И „Етногенеза“) featuring composer and Globus-mastermind Yoav Goren, Skunk Anansi and Feeder drummer Mark Richardson and Manic Street Preachers keyboardist Nick Naysmith, everything about Globus is larger than life.
Eight years in the making, when the album was finally finished there was no way of knowing whether it would work live. It was so loud on stage, big old Marky boy on the drums, just pounding the hell out of them, and the orchestra sounded amazing. He grins. The feedback from the audience was really good. For Dann it all began at the cinema, watching the trailer for a film called The Aviator. So he did. And when you were finished? Can I send it to you? He smiles. Successful in Hollywood for many years, Yoav had been working towards realising his music in a band situation, recruiting singers and musicians from around the world.
Hearing Dann, another piece of the jigsaw fell into place. Dann pauses. But I just portray emotion. He singles out Kurt Cobain as a favourite singer. The songs can make you laugh, make you cry. A good example would be Orchard Of Mines, the first single from the album and one of two songs on Epicon that Dann has co-written. If Epicon is well received, Dann would like to take the band out on the road. But things are moving in the right direction.
All Globus need now is a break. The show was a trailer — for an album of film trailer music. This music never makes it onto the album of the film. Which kept his hands full at sound check. The technical undertaking was huge. And as well as the main vocals, Anderson was handling five channels of per- cussion effects from the onstage computer, which was running the show via Nuendo, providing in-ear clicks for 26 of the onstage musi- cians and driving the projector for background visuals.
Monitoring was a similarly chan- nel-heavy proposition using a channel Yamaha DM for the orchestral and choir monitor sub- mixes, feeding a channel Soundcraft MH4. His solution was based on an 8 x 2 mono cluster of Arcs with supplemental fills following the stage edge. But while control was essential to the Spiritus Khayyam (Music Video) - Globus - Live At Wembley (A Concert Film) (DVD) mix, the sound also demanded space, which was supplied by additional Arcs clusters either side of the stage for a stereo image.
Transmedia also arranged for FX Rentals to supply and operate the twin main and backup channel Pro Tools-based rigs used to record the event for DVD release. Our listeners are anxious to learn more about you, your company, and what we can look forward to in the future from Globus.
For starters, could you please give us a quick overview of who and what Globus is? About years ago, Globus originated in my mind as a concept project. Conceptually, it was not terribly original; I wanted to juxtapose various vocal melodies and stylings from Madonna - Celebration FCJ Megamix the world and surround it with contemporary western music.
I started on this journey when I traveled to Israel several years ago and set up some recordings of traditional vocal folk and religious music from various cultures — Arabic, Russian, Persian, Afghani, Turkish, Eastern European etc. Israel being a melting pot of cultures in a small place afforded the opportunity.
As the years passed the concept evolved into that of joining these ethnic vocal samples with the contrasting power of a traditional western choir and large orchestra. I then searched and found talented collaborators such as Dann P, Lisbeth Scott, Anneke van Giersbergen et al to foment the vision.
How did you and Jeffrey Faymen meet and start working together? Our friendship had humble beginnings. InI was working in Let It Ride - Terry Mullan + Phantom 45 - Booked 003: Vanilla Gorillaz small music shop in Santa Monica, California while also tutoring Heartbreak Today - Sweet* - Sweet Fanny Adams part time in the use of synthesizers and computers.
MIDI was a fairly young concept, and during those days many composers discovered they could actually set up complete recording setups in their bedrooms. Jeffrey had a small composing setup in his apartment. One day, he walked into the store I was working, saw that I was proficient with MIDI gear, and hired me to teach him how to use the equipment in his current setup.
We became friends and also started sharing with each other our compositions and love of film music. Just for the fun of it, we started writing together, and were able to get a few jobs writing for television shows and music libraries.
We put together a demo tape cassette!! Slowly, we started getting calls to score trailers. There was a time when original trailer music wasn't so prevalent, since existing scores were edited to fit the trailers. Could you talk about when you started seeing a shift towards using original music for trailers?
The scenario for getting hired today is not much different, except for the fact the results of composed trailer score today far exceed the quality usually heard back in the day. Back then it was always an uphill climb to match the intensity and emotion of a soundtrack cue.
Additionally, the industry of trailer scoring is now a mature one, with many seasoned composers experienced in composing and producing quality trailer scores, either electronically or with full orchestra. I think the shift started happening as studios and trailer houses Magical Mystery Tour - Ambrosia - Standing Room Only solid relationships with newly respected composers who could prove they could deliver customized music which rivaled soundtrack material, yet probably cost less.
Also, th - StreamingSoundtracks. Nowadays a commingling of diverse music genres seem to create and embody new genres. Think: Epic, globally. Goren is also the founder of Immediate Music which licenses and promotes written music for movie trailers. People wanted to hear more. Many of the songs featured on the CD have been re-tooled and enhanced in epic ways. It has the kind of sound that instrumentalists and virtuosos could produce — and envy at the same time.
For example, many tracks offer sublime progression, tension-building percussion, vocals, and strings blended with drum and bass, and guitar. At times, it sounds like a rock-anthem, and at others a soothing, somber ballad. This CD is truly for music appreciation, not just music fans or lovers. Pick it up. Hailing from Southern California, Globus began originally as a studio project, fusing massive orchestral and choral pieces with commercial song structures.
Globus' new album, "Break From This World," is an evolutionary step in the band's quest to explore and dissect the human condition through the "epic rock" genre it is helping to pioneer. Released inthe album is a throwback to the Spiritus Khayyam (Music Video) - Globus - Live At Wembley (A Concert Film) (DVD) album" approach, merging once again the rich colors of an orchestra and choir with the raw and unbridled power of a hard-hitting rock band.
Break From This World" is a profoundly powerful and emotional journey into the questions surrounding our modern existence, attempting to bring a truly visceral musical experience to a wider audience.
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Get started for free Already have an account? Share Globus's EPK! Calendar Upcoming Past. This band has not uploaded any videos. Bio Hailing from Southern California, Globus began originally as a studio project, fusing massive orchestral and choral pieces with commercial song structures. Tech, Rider, Lyrics. Join Sonicbids for free to post a band opening! Create a free account Already have an account?
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