Lionel Marchetti is one of a handful of artists who in the mid-to-late s took electroacoustic music out of academic studios and into the free improvisation ring. A scholar who worked at the CFMI Lyon and GRM Paris studios and published a book on acousmatic composer Michel Chion, Marchetti developed a set-up of microphones and loudspeakers he uses on stage along with tape recorders, prepared CDs, motors and radios.
He often refers to his "instruments" as an "electroacoustic contraption. His studio work encompasses sound collage Knud Un Nom de Serpent and academic electroacoustics Sirrus, Portrait d'un Glacieralthough the level of poetry and refusal of genre boundaries in his music puts him closer to Kristoff K.
Marchetti was born in France in His interest in music resides in the qualities of sound. The first large-scale work he created there was Sirrusreleased only in Albums began to multiply in Starting ina series of live and improvisation-based projects would run parallel a - Lionel Marchetti his more academic career.
The Marchetti-Noetinger duo was the first of such projects and remains the longest lasting one. The pair has recorded as a duet Mort aux Vaches, but also as part of larger groups Double Army Of The Lord - B.B.
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Lady - Stephen Antoni - Simple & Honest, You Wont Know Till You Find Out - Tony Trischka - Banjoland, No. 13 In F Sharp Minor - Friedrich Gulda, Chopin* - Twenty-Four Preludes Opus 28, Our Day Will Come - Various - I Favolosi Anni 50